WLSCM
Web Library of Seventeenth-Century Music

Full Catalogue: List View

Trio de Mr. Charpentier

for three instruments (SSB)
WLSCM No. 1
Charpentier, Marc-Antoine
John S. Powell

Missa Sanctae Maria Magdalenae

for 6 wind instruments, 6 string instruments, 7 voices, and organ
WLSCM No. 2
Sances, Giovanni Felice
David Hauser and Steven Saunders

Madrigali et symfonie, Op. 2 (selections)

WLSCM No. 3
Marini, Biagio
Thomas D. Dunn

Music for Vespers

selections from Op. 18 and Op. 20 (with reconstructions of the missing parts)
WLSCM No. 4
Marini, Biagio
Thomas D. Dunn

Hor che graditi horrori

Cantata for Soprano and Basso Continuo
WLSCM No. 5
Scarlatti, Alessandro
Rosalind Halton

Music from Montfleury's Le Mary sans femme

WLSCM No. 6
Unknown
John S. Powell

Lucretia Romana

Cantata for Soprano and Basso Continuo
WLSCM No. 7
Scarlatti, Alessandro
Rosalind Halton

Quanto sete per me pigri, o momenti!

Cantata for Soprano and Basso Continuo
WLSCM No. 8
Cesti, Antonio
Rosalind Halton

Cantate gentes

Motet for Seven String and Wind Instruments, Seven Voices, and Organ
WLSCM No. 9
Valentini, Giovanni
Andrew H. Weaver

Dialogo: Mergellina e Zefiro

Serenata for Soprano, Alto, String Ensemble, and Basso Continuo
WLSCM No. 10
Anonymous (c. 1696)
Marie-Louise Catsalis
Catalogue Number
Title
Date Published
Editor
 

1

Trio de Mr. Charpentier for three instruments (SSB) by Marc-Antoine Charpentier

January, 2005

John S. Powell

https://doi.org/10.53610/TOBI2805

2

Missa Sanctae Maria Magdalenae by Giovanni Felice Sances

April, 2003

David Hauser and Steven Saunders

https://doi.org/10.53610/OKMQ7970

3

Madrigali et symfonie, Op. 2 by Biagio Marini rev. ed.

January, 2005

Thomas D. Dunn

https://doi.org/10.53610/WJTC5217

4

Music for Vespers from Op. 18 and Op. 20 by Biagio Marini

February, 2004

Thomas D. Dunn

https://doi.org/10.53610/VGNQ5744

5

Hor che graditi horrori, Cantata for Soprano and Basso Continuo by Alessandro Scarlatti

January, 2004

Rosalind Halton

https://doi.org/10.53610/JIXY1361

6

Music from Montfleury's Le Mary sans femme

January, 2004

John S. Powell

https://doi.org/10.53610/DCAT5610

7

Lucretia Romana, Cantata for Soprano and Basso Continuo by Alessandro Scarlatti

May, 2006

Rosalind Halton

https://doi.org/10.53610/IANM4396

8

Quanto sete per me pigri, o momenti! Cantata for Soprano and Basso Continuo by Antonio Cesti

December, 2007

Rosalind Halton

https://doi.org/10.53610/YAIR4194

9

Cantate gentes. Motet for Seven String and Wind Instruments, Seven Voices, and Organ by Giovanni Valentini

December, 2007

Andrew H. Weaver

https://doi.org/10.53610/WJEX3678

10

Dialogo: Mergellina e . Serenata for Soprano, Alto, String Ensemble, and Basso Continuo

January, 2008

Marie-Louise Catsalis

https://doi.org/10.53610/DZRD6420

11

Lamento della Regina d’Inghilterra. Cantata for Soprano, Bass, Strings (Viols), and Harpsichord by Antonio Bertali

April, 2008

Andrew H. Weaver

https://doi.org/10.53610/SDTG5139

12

Two Motets for Soprano and Basso Continuo by Alessandro Della Ciaia

May, 2008

Colleen Reardon

https://doi.org/10.53610/OXCF2547

13

Canticle in Honor of Saint Xavier (H. 355) for voices (SATB), flutes, strings, and organ by  Marc-Antoine Charpentier

November, 2008

Thomas G. Merrill

https://doi.org/10.53610/LVTU2352

14

Élévation au S Sacrement (H. 264) for 3 voices (TTB) and basso continuo by Marc-Antoine Charpentier

November, 2008

C. Jane Gosine

https://doi.org/10.53610/QXSH7917

15

Miserere mei, Deus for 5 voices (SSATB), strings, and basso continuo by Antonio Biffi

October, 2009

Don Fader

https://doi.org/10.53610/CLGM1486

16

Jesus seeing the multitudes, Anthem for voices (SSAATB) and Organ by John Blow

October, 2009

Alan Howard

https://doi.org/10.53610/ZJON3283

17

Fede, Furore e Idolatria and Il ratto di Proserpina. Prologo for Soprano, Alto, Bass, 2 Violins, and Basso continuo and Intermedio for 2 Sopranos, Bass, 2 Violins, and Basso continuo.

March, 2010

Marie-Louise Catsalis

https://doi.org/10.53610/BEOT2474

18

Psalmi ad Vesperas, Opus Duodecimum (1694) Vesper Psalms, Op. 12, for 3, 4, and 5 solo voices and instrumental ensemble, some with optional parts for a ripieno choir by Giovanni Paolo Colonna

May, 2010

Pyrros Bamichas

https://doi.org/10.53610/YGCO6348

19

O coelestis Jerusalem (H. 252) for 3 Voices (TTB) and Basso Continuo by Marc-Antoine Charpentier

May, 2010

C. Jane Gosine

https://doi.org/10.53610/CNKU3719

20

Four Arias for Soprano and Basso Continuo by Antonio Francesco Tenaglia

January, 2011

Richard Kolb

https://doi.org/10.53610/IOIH1989

21

Two Spiritual Monodies for Soprano and Basso Continuo (Theorbo) by Giovanni Girolamo Kapsperger

April, 2011

David Dolata and Margaret Murata

https://doi.org/10.53610/ZZYH2826

22

Two Litanies and Four Antiphons (1671) Letanie e Quattro Antifone dell' Anno, Op. 11 for double choir (SATBSATB) and organ by Carlo Donato Cossini

August, 2011

Pyrros Bamichas

https://doi.org/10.53610/KNJD5580

23

L'Orfeo, Cantata for Voice (S), Two Violins, and Basso Continuo by Alessandro Scarlatti

May, 2012

Rosalind Halton

https://doi.org/10.53610/HPPH7156

24

Two Motets and a Canzonetta (1660s), for Voice and Basso Continuo by Carlo Donato Cossoni

May, 2012

Claudio Bacciagaluppi and Luigi Collarile

https://doi.org/10.53610/KRKD1194

25

Sérénade and Air à boire from the Premier Livre d’airs (1688) for Bass, Two Violins, and Basso Continuo by Jean Martin

June, 2012

Don Fader

https://doi.org/10.53610/NYIG3661

26

Dialogus de Sancto Francisco, for Two Sopranos and Basso Continuo by Giovanni Francesco Marcorelli

October, 2012

Biancamaria Brumana

https://doi.org/10.53610/FZOS5700

27

Harpsichord Music by Richard Ayleward

November, 2013

Andrew Woolley

https://doi.org/10.53610/OFVE7654

28

Two Concerted Motets for multiple SATB choirs, strings, trombones, cornetti, and organ by Pietro Verdina

September, 2013

Andrew H. Weaver

https://doi.org/10.53610/XJWG7958

29

Zwölff Madrigalische Trost=Gesänge for 5 or 6 voices and basso continuo by Wolfgang Carl Briegel

March, 2016

Gregory S. Johnston

https://doi.org/10.53610/HJZK3103

30

Conserva me Domine (H. 230) for 5 voices (SATBB), strings and basso continuo by Marc-Antoine Charpentier

September, 2016

C. Jane Gosine

https://doi.org/10.53610/YVFT4550

31

A voi che l'accendeste for solo voice and continuo

December, 2016

Rosalind Halton

https://doi.org/10.53610/LMMX7218

32

Villancicos About Music from Seventeenth-Century Spain and New Spain

November, 2017

Andrew A. Cashner

https://doi.org/10.53610/VCBM8408

33

Four Passions for four voices by Luis Coronado

October, 2018

M. Grey Brothers

https://doi.org/10.53610/YFQU6315

35

Pièces de guitairre, à battre et à pinser by François Martin

March, 2020

Michael A. Bane

https://doi.org/10.53610/LNUR3890

36

Villancicos About Music from Seventeenth-Century Spain and New Spain, Volume 2

January, 2021

Andrew A. Cashner

https://doi.org/10.53610/KKVQ2898

37

Scherzi di Sacra Melodia (1648) for solo voice and basso continuo by Chiara Margarita Cozzolani

May, 2021

Lucas Harris, Robert L. Kendrick, John Pepper

https://doi.org/10.53610/EYRH9471

38

Two Anthems from 1688 by John Blow

October, 2021

Bryan White

https://doi.org/10.53610/KVTB2794

39

Sonata á Violino Solo by Johann Heinrich Schmelzer

December, 2022

Charles E. Brewer

https://doi.org/10.53610/TKCN2435

40

The Virgin Mary's Essence in New Spanish Song

February, 2025

Cesar D. Favila and Paul G. Feller-Simmons

https://doi.org/10.53610/BDLM1317

41

Salmi con una voce e doi violini, ed motteti con, e senza violini (Salzburg, 1654) by Andreas Hofer

August, 2025

Kimberly Beck Hieb

https://doi.org/10.53610/XJAI4356

42

Music for the Election of Giovanni Pesaro as Procuratore di San Marco (Venice, 1641) by Filiberto Laurenzi

September, 2025

Jonathan Glixon

https://doi.org/10.53610/KVBU8122

43

Three Balletti and Three Serenate by Johann Heinrich Schmelzer

February, 2026

Charles E. Brewer

https://doi.org/10.53610/BTZG6556